Mercurial > moonlitnights
comparison old/stories/tomoyo.txt @ 2:fc00894c1d4a moonlitnights
[svn r3] moved all the bad stuff to 'old'
author | rlm |
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date | Fri, 19 Feb 2010 20:53:12 -0500 |
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1 By Luriko-Ysabeth | |
2 iac@tangle.org | |
3 | |
4 Frame: Pieces of Her Soul | |
5 | |
6 | |
7 There are two things I have known since before I can remember. | |
8 | |
9 Firstly, that I loved Kinomoto Sakura. | |
10 | |
11 And secondly, that she would never care for me the way I did for her. | |
12 | |
13 | |
14 One can grow accustomed to anything when one is a child, I hear, no | |
15 matter how odd, no matter how painful. | |
16 | |
17 And truly, it doesn't hurt that much, not now. Knowing that someday she | |
18 will go to someone, probably some man, in whose arms she fits, whose | |
19 house she graces, whose life she completes -- she deserves this, if it | |
20 will make her happy. She deserves a wedding out of fairytales and a house | |
21 out of dreams and a husband out of a maiden's longings, and a place in | |
22 which her soul may fly as fast and as far as I know it can go. | |
23 | |
24 (He had best be worthy of her, he had best make her happy, or -- he | |
25 shall answer to me.) | |
26 | |
27 | |
28 Maybe when my body changes and blossoms, and strange elixirs sing in my | |
29 blood, it will be harder to remember this, as it was hard for my mother | |
30 to understand it. | |
31 | |
32 Mother... you never did understand, did you? You never forgave your | |
33 cousin Nadeshiko for wedding a kind man and bearing *him* two children in | |
34 whom there is a perfection. | |
35 | |
36 Yes, two. | |
37 | |
38 It... fits, doesn't it, that as Sonomi loved Nadeshiko, Sonomi's child | |
39 should love Nadeshiko's children? | |
40 | |
41 Yet, even beyond their differences, my feelings for the one are nowhere | |
42 near as strong as for the other; even though there are reflections, each | |
43 in each, there is just no comparison. | |
44 | |
45 It is nothing to Touya's detriment. He is... earth, distilled and | |
46 refined to all that earth is, a mingling of all five, protecting, | |
47 guarding, warm under the sun, cool with the night, fertile ground for | |
48 small lives, endlessly renewing itself even as it is endlessly worn away, | |
49 enduring for long years harsh and soft by turns. | |
50 | |
51 Earth, inexorably drawn to the moon by the forces of gravity, even as | |
52 the moon is drawn to it and it is drawn to the sun... | |
53 | |
54 It is no fault of earth that I chose to look up instead of down, and | |
55 gave my heart to a distant star. | |
56 | |
57 | |
58 Perhaps it would be more accurate to say that the star, just by burning | |
59 as brightly and as gaily as it did, called my heart out of me. | |
60 | |
61 It would have been... easier, had I wanted the earth. I might even have | |
62 had it, if not all to myself. | |
63 | |
64 But Sakura-chan is -- *Sakura*. There is nothing more beautiful or | |
65 interesting to me, nothing that I would rather see. For just a moment of | |
66 her in motion, limbs full of their own grace as she runs towards the | |
67 goal... I would sell the whole earth for that to hold in my hands and | |
68 call forth those feelings from my heart each time I gazed upon her, and | |
69 count it well spent in the bargain. | |
70 | |
71 And I have that, and a thousand others besides. | |
72 | |
73 I love my mother dearly, but she can act foolish beyond measure. She | |
74 loved Nadeshiko, perhaps even as I love Sakura-chan, and wanted nothing | |
75 more than to be with her forever. | |
76 | |
77 If Sakura-chan were to dwell in my house, eat at my board, sleep in my | |
78 bed, then no one in all the world would be happier than I am. | |
79 | |
80 But even now, I am happy. | |
81 | |
82 When Nadeshiko married Kinomoto-san, my mother was hurt and jealous; I | |
83 don't think she had ever thought that Nadeshiko might want someone else. | |
84 | |
85 And because she was angry, she went away and never saw her again. Where | |
86 is there sense in that? Where is there reason? | |
87 | |
88 I like o-sushi. It is good to taste and filling to eat. But just because | |
89 I cannot have o-sushi, shall I refuse to eat o-musubi? Shall I turn down | |
90 chazuke? They, too, are filling to eat, and their taste is not bad. | |
91 | |
92 Sakura-chan will offer the greater part of her soul into the keeping of | |
93 some lucky other person, to hold and to nurture. | |
94 | |
95 But that's all right. The sun is bright. Water is wet. Rocks are hard. I | |
96 love Kinomoto Sakura. She will love someone else and be happy. | |
97 | |
98 And I will be happy that she is happy. | |
99 | |
100 | |
101 I don't think Mother ever quite understood that. We were vacationing | |
102 once, on an island. I woke up very early one morning and went down to the | |
103 beach as the sun was rising through the clouds. The water shone for a | |
104 moment like silver and steel, and the clouds were all shot with pink and | |
105 orange and mauve and gold, and the rocks curved down into the water as | |
106 the gulls arced out beyond them and the breeze came salt-laden into my | |
107 face -- that moment, just then, was perfect and eternal, and I was happy. | |
108 | |
109 | |
110 (I tried to take a picture, but it couldn't hold it all and didn't come | |
111 out that well anyway -- I wasn't as good then as I am now. It's all | |
112 right; I can still remember most of it, and there have been other | |
113 sunrises, even if they weren't the same.) | |
114 | |
115 Much later, when my mother woke up, I told her how much I liked it | |
116 there. | |
117 | |
118 She offered to buy the house and probably the island as well, so I could | |
119 keep the thing that made me so happy and come there whenever I really | |
120 wanted to. | |
121 | |
122 But you can't do that. You can't own a sunrise, or gulls in flight. Even | |
123 if you lay claim to the place where they are. Even if you put a collar or | |
124 something on the gulls -- even if you put them in a cage, you can't have | |
125 the beauty of their soaring unless they give it to you (and I can't see | |
126 how they could if they were in a cage, anyway). | |
127 | |
128 So I thanked her, politely, and told her I would rather have a nicer | |
129 camera and maybe some lessons in how to take better pictures. | |
130 | |
131 | |
132 Many people, when they first encountered a camera, thought that it would | |
133 steal someone's soul if it took a picture of them. | |
134 | |
135 You can't do that, of course. Just one photograph, one frame of film, or | |
136 even the entire strip cannot be enough for all of a person, in their good | |
137 times and their bad times, with all their quirks and all their | |
138 inconsistencies. | |
139 | |
140 But you can, in one picture, capture a *facet* of them. Not all. Not | |
141 everything. But a little piece, one solitary moment of what they are. | |
142 | |
143 The more pieces, the more you can assemble something vaguely like a | |
144 picture of the person they are. | |
145 | |
146 And it isn't even stealing, any more than my blurry picture on the | |
147 island stole the sun out of the sky. It's a record of a gift -- the gift | |
148 that that person gave to the outside world, of what they were at that | |
149 moment. | |
150 | |
151 I have a picture, of Sakura-chan running, limbs full of their own grace | |
152 as she runs towards the goal. A crystallized memory of how she looked as | |
153 she was doing her best, for me and for all of us and especially for | |
154 herself, that I can look at even when Sakura-chan is not around. | |
155 | |
156 It's one of my favorites; I have many favorites, among all the pictures | |
157 and movies I have taken of Sakura-chan. | |
158 | |
159 Someone else will be the recipient of most of her soul, and she in turn | |
160 will be given that person's soul to have in her keeping. | |
161 | |
162 (I'm doing my best to help make sure that that person is someone who | |
163 deserves that very great honor, and will make Sakura-chan happy.) | |
164 | |
165 And when that happens... she won't have as much time to spend with me. I | |
166 know that. I'm expecting it. | |
167 | |
168 Love is infinite. | |
169 | |
170 A soul is infinite. | |
171 | |
172 Time in a day has a limit of 8, 6400 seconds, according to my | |
173 calculator. And every one of those seconds is precious, and every one is | |
174 no longer than it takes to say four syllables (five if you're quick). | |
175 | |
176 So time is something you have to divide up. If you have to give time to | |
177 your family, it needs to come from somewhere else... including your | |
178 friends. | |
179 | |
180 And even... even if she took the time from somewhere that wasn't me, my | |
181 time with her will always be a gift, not a right. | |
182 | |
183 But I'm not unhappy. I'm content -- after all, how many other people are | |
184 there who don't know Sakura-chan at all? How many other people are there | |
185 whose closest contact with her is to see her skate by once, on her way to | |
186 wherever she's going? | |
187 | |
188 I, however... I have a treasury of every piece of her soul that she has | |
189 chosen to give me. Whether she's happy, whether she's angry, whether she | |
190 is overtaken by surprise or sorrow; all of them are Sakura-chan, and thus | |
191 all of them are beautiful. | |
192 | |
193 And each image, a tiny facet in itself, brings back the memories and the | |
194 feelings, and the way it was before and after and during -- sometimes, a | |
195 moment so beautiful it hurt. | |
196 | |
197 And even that other person... they won't have all of her. They won't | |
198 share in many of these, any more than I'll share in many of their images, | |
199 or either of us will share in most of Touya's pieces of Sakura-chan. Even | |
200 beyond that, there are parts of Kinomoto Sakura that none other than | |
201 herself shall ever see. | |
202 | |
203 Any more than anyone ever saw some parts of Amamiya or Kinomoto | |
204 Nadeshiko, as much as my mother wanted to. No one else can own all of a | |
205 person. | |
206 | |
207 So why should I be jealous of the person whom Sakura-chan will choose to | |
208 love? | |
209 | |
210 I, too, have pieces of her soul. |